{"id":7488,"date":"2024-09-24T15:39:18","date_gmt":"2024-09-24T06:39:18","guid":{"rendered":"http:\/\/diverseasia.snu.ac.kr\/?p=7488"},"modified":"2024-12-31T07:28:48","modified_gmt":"2024-12-30T22:28:48","slug":"%ec%96%b4%eb%94%98%ea%b0%80%eb%a1%9c-%ed%96%a5%ed%95%98%eb%8a%94-%ea%b3%a0%eb%a0%a4%ec%9d%b8%eb%93%a4%ec%9d%98-%ec%97%ac%ec%a0%95-%ec%9a%b0%ec%a6%88%eb%b2%a0%ed%82%a4%ec%8a%a4","status":"publish","type":"post","link":"https:\/\/diverseasia.snu.ac.kr\/?p=7488","title":{"rendered":"\u201c\uc5b4\ub518\uac00\u201d\ub85c \ud5a5\ud558\ub294 \uace0\ub824\uc778\ub4e4\uc758 \uc5ec\uc815: \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778 \uc601\ud654\uc5d0 \ub098\ud0c0\ub098\ub294 \uc815\uccb4\uc131\uacfc \uc18c\uc18d\uac10"},"content":{"rendered":"<p style=\"text-align: right;\"><strong>\ud55c\uc62c\uac00Khan Olga<\/strong> (SNUAC)<\/p>\n<p style=\"text-align: justify;\">\uad6c\uc18c\ub828 \uc9c0\uc5ed\uc758 \ud55c\uc778\uc740 \uc774\uc9c8\uc801\uc774\uace0 \ub2e4\ubbfc\uc871\uc801\uc778 \ud658\uacbd\uc5d0\uc11c \ub3d9\ud654\ub418\uc5c8\ub2e4. \ub2e4\uc591\ud55c \ubbfc\uc871\uc744 \ub300\ud45c\ud558\ub294 \uc0ac\ub78c\ub4e4\uacfc \ub05d\uc5c6\uc774 \uc811\ucd09\ud558\uace0 \ub2e4\uc591\ud55c \ubb38\ud654\uc5d0 \ub178\ucd9c\ub418\uba74\uc11c \ud55c\uc778\ub4e4\uc740 \ub2e4\ubbfc\uc871\uc801 \ud658\uacbd\uc5d0 \uc720\uc5f0\ud558\uac8c \ub300\uc751\ud558\ub294 \uc2ec\ub9ac\uc801 \ud0dc\ub3c4\uc640 \uc27d\uac8c \uc801\uc751\ud558\ub294 \ud589\ub3d9 \ubc29\uc2dd\uc744 \uc2b5\ub4dd\ud588\ub2e4. \ub3d9\uc9c8\uc801\uc778 \ud55c\uad6d \uc0ac\ud68c\uc5d0 \uc0b0 \ud55c\uad6d\uc778\ub4e4\uacfc\ub294 \ub2ec\ub9ac \ud55c\uc778\ub4e4\uc740 \ub2e4\ubbfc\uc871\uc801 \ud658\uacbd\uc5d0\uc11c \uc218\uc2ed \ub144\uac04 \uc0dd\ud65c\ud588\uace0, \uadf8 \uacfc\uc815\uc5d0\uc11c \ud55c\ubbfc\uc871 \ubcf8\ub798 \ubb38\ud654\uc758 \ub9ce\uc740 \uc694\uc18c\uac00 \ubcc0\ud615\ub418\uac70\ub098 \uc0c1\uc2e4\ub418\uc5c8\ub2e4. \uc911\uad6d, \uc77c\ubcf8, \ubbf8\uad6d\uacfc \uc138\uacc4 \ub2e4\ub978 \uc9c0\uc5ed\uc758 \ud55c\uc778\ub4e4\uacfc \ub9c8\ucc2c\uac00\uc9c0\ub85c \uad6c\uc18c\ub828 \uc9c0\uc5ed\uc758 \ud55c\uc778\ub4e4\ub3c4 \ud55c\ubc18\ub3c4\uc758 \ud55c\uad6d\uc778\uacfc \ud06c\uac8c \ub2ec\ub77c\uc84c\uace0, \uadf8 \uacb0\uacfc \u201c\uace0\ub824\uc778\u201d\uc774\ub77c\ub294 \ubcc4\uac1c\uc758 \ubbfc\uc871 \uc9d1\ub2e8\uc774 \ub4f1\uc7a5\ud588\ub2e4. \uadf8\ub7ec\ub098 \ud55c\ubc18\ub3c4\uc758 \ud55c\uad6d\uc778\uacfc \uace0\ub824\uc778 \uc0ac\uc774\uc758 \uac00\uc7a5 \ud070 \ucc28\uc774\uc810\uc740 \ubc14\ub85c \uace0\ub824\uc778 \ubb38\ud654\uac00 \ud55c\uad6d, \ub7ec\uc2dc\uc544, \uc18c\ub828, \uc911\uc559\uc544\uc2dc\uc544, \uc720\ub7fd \ubb38\ud654\uac00 \ud63c\ud569\ub41c \uacb0\uacfc\ub77c\ub294 \uac83\uc774\ub2e4(Khan 2011). \uc911\uc559\uc544\uc2dc\uc544 \uace0\ub824\uc778\uc758 \uc911\uce35\uc801\uc774\uace0 \ubcf5\ud569\uc801\uc778 \uc815\uccb4\uc131\uc740 \ubb38\ud559, \ub178\ub798, \uadf8\ub9bc \ub4f1 \ub2e4\uc591\ud55c \uc608\uc220\ub85c \ub098\ud0c0\ub0ac\ub2e4. \uadf8\ub7ec\ub098 \uc18c\uc218 \uc9d1\ub2e8\uc5d0 \uc18d\ud55c \uc774\uc8fc\uc790\ub85c\uc11c \uace0\ub824\uc778\uc758 \uacbd\ud5d8\uc744 \ub2e4\ub8ec \uc601\ud654\ub294 \ub4dc\ubb3c\uba70, \ub2e4\ub978 \ud55c\uc778 \ub514\uc544\uc2a4\ud3ec\ub77c \uacf5\ub3d9\uccb4\uc640 \ube44\uad50\ud560 \ub54c \uc774 \uc810\uc774 \ub354\uc6b1 \ubd84\uba85\ud558\uac8c \ub4dc\ub7ec\ub09c\ub2e4. \uace0\ub824\uc778 \uc601\ud654\ub294 \ub2e4\ub978 \uc608\uc220 \ubd84\uc57c\ubcf4\ub2e4 \uc5ed\uc0ac\ub3c4 \uc9e7\uace0 \ucc3d\uc791\uc790 \uc218\uc640 \uc791\ud488\ub3c4 \uc801\uc73c\uba70, \ud55c\uad6d, \ubbf8\uad6d, \uce90\ub098\ub2e4, \ub7ec\uc2dc\uc544, \uc911\uc559\uc544\uc2dc\uc544\uc758 \uc601\ud654\uac10\ub3c5, \uc5ed\uc0ac\ud559\uc790, \ube14\ub85c\uac70\ub4e4\uc774 \ub9cc\ub4e0 \ub2e4\ud050\uba58\ud130\ub9ac\ub098 \ub2e8\ud3b8 \uc601\uc0c1\uc5d0\uc11c\ub3c4 \uace0\ub824\uc778\uc744 \ub2e4\ub8ec \uc601\ud654\ub098 \uc601\uc0c1\uc740 \ucc3e\uc544\ubcf4\uae30 \uc5b4\ub835\ub2e4.<\/p>\n<p style=\"text-align: justify;\">\uace0\ub824\uc778 \uc601\ud654\ub294 \uc0c8\ub86d\uac8c \ub098\ud0c0\ub09c \ud604\uc0c1\uc73c\ub85c \ubcfc \uc218 \uc788\ub2e4. 2010\ub144 \ucd5c\ucd08\uc758 \uace0\ub824\uc778 \uac10\ub3c5\uc778 \ub8e8\uc2ac\ub780 \ubc15(Ruslan Pak)\uc774 &lt;\ud558\ub098\uc548(Hanaan)&gt;\uc774\ub77c\ub294 \uc8fc\ubaa9\ud560 \ub9cc\ud55c \uc791\ud488\uc744 \uc120\ubcf4\uc774\uae30 \uc804\uc5d0\ub294 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778\uc740 \uc601\ud654\ub97c \ub9cc\ub4e4\uc9c0 \uc54a\uc558\uc73c\uba70, &lt;\ud558\ub098\uc548&gt; \uc774\ud6c4\uc5d0 \ub2e4\ub978 \uac10\ub3c5\uc774 \uc0c8\ub85c\uc6b4 \uace0\ub824\uc778 \uc601\ud654\ub97c \uc81c\uc791\ud558\uae30\uae4c\uc9c010\ub144\uc774 \ub354 \uac78\ub838\ub2e4. \ub9ce\uc740 \ub2e4\ud050\uba58\ud130\ub9ac\uac00 \uace0\ub824\uc778\uc758 \uac15\uc81c \uc774\uc8fc\uc5d0 \ucd08\uc810\uc744 \ub9de\ucd98 \uac83\uacfc \ub2ec\ub9ac \uc2e0\uc9c4 \uac10\ub3c5\ub4e4\uc740 \ud604\ub300\uc5d0 \u201c\uace0\ub824\uc778\uc774\ub77c\ub294 \uac83\uc758 \uc758\ubbf8\u201d\uc5d0 \uad00\ud574 \uae4a\uc774 \uc131\ucc30\ud558\uace0 \ud0d0\uad6c\ud55c\ub2e4. \uc774\uc8fc\ubbfc \ucd9c\uc2e0 \uc601\ud654 \uac10\ub3c5\ub4e4\uc774 \u201c\ud63c\uc131\uc131\uc758 \ub300\ub9ac\uc778(agents of hybridity)\u201d(De Man 2023) \uc5ed\ud560\uc744 \ud558\ub4ef\uc774 \uace0\ub824\uc778 \uac10\ub3c5\ub4e4\ub3c4 \uc774\uc9c8\uc801\uc778 \ubbf8\ud559\uc744 \ubcf4\uc5ec\uc8fc\uace0 \uc11c\uc0ac \uc804\ub7b5\uc744 \uc0ac\uc6a9\ud574 \ubb38\ud654\uc801 \uc18c\uc18d\uac10\uacfc \ub3c5\ud2b9\uc131\uc744 \uc804\ub2ec\ud55c\ub2e4. \uac10\ub3c5\ub4e4\uc774 \uacaa\uc740 \uc9c0\uc815\ud559\uc801 \uc5ec\uc815\uacfc \uadf8\ub4e4\uc758 \uc0ac\ud68c\uc801 \uc815\uccb4\uc131\uc740 \uc601\ud654\uc758 \ubbf8\ud559\uacfc \uae30\uc6d0, \uc774\ub3d9, \uc774\uc8fc\uc5d0 \ub530\ub978 \ud63c\ub780 \ub4f1\uacfc \uad00\ub828\ub41c \uc8fc\uc81c\ub97c \ub2e4\ub8e8\ub294 \ubc29\uc2dd\uc5d0 \ud070 \uc601\ud5a5\uc744 \ubbf8\uce5c\ub2e4. \uc608\uc220\uac00\ub4e4\uc740 \uc601\ud654\ub97c \ud1b5\ud574 \ubcf5\ud569\uc801\uc778 \uc815\uccb4\uc131\uc744 \uc804\ub2ec\ud558\uace0 \uc804\ud1b5, \uc5b8\uc5b4, \uc720\uc0b0\uc744 \ud6a8\uacfc\uc801\uc73c\ub85c \ubcf4\uc5ec\uc90c\uc73c\ub85c\uc368 \ud2b9\ud788 \u201c\ubcf5\uc7a1\ud55c \uac1c\ub150\uacfc \uc774\uc8fc\ubbfc\uc73c\ub85c\uc11c \uc0b4\uc544\uac04\ub2e4\ub294 \uc124\uba85\ud558\uae30 \uc5b4\ub824\uc6b4 \uc0c1\ud669\uc744 \ud45c\ud604\ud574 \uad00\uac1d\uc744 \uc0ac\ub85c\uc7a1\uace0 \ube60\uc838\ub4e4\uac8c \ud560 \uc218 \uc788\ub2e4\u201d (Son 2012).<\/p>\n<figure id=\"attachment_7489\" aria-describedby=\"caption-attachment-7489\" style=\"width: 740px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7489\" src=\"http:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/1.jpg\" alt=\"\" width=\"740\" height=\"1058\" srcset=\"https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/1.jpg 740w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/1-210x300.jpg 210w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/1-716x1024.jpg 716w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/1-696x995.jpg 696w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/1-294x420.jpg 294w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><figcaption id=\"caption-attachment-7489\" class=\"wp-caption-text\"><strong>\uc601\ud654 \ud558\ub098\uc548 \ud3ec\uc2a4\ud130<\/strong><br \/>\uac10\ub3c5\uc73c\ub85c\ubd80\ud130 \uc0ac\uc6a9 \ud5c8\uac00\ub97c \ubc1b\uc74c<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: justify;\"><strong>&lt;\ud558\ub098\uc548Hanaan&gt; (2011), \ub85c\uc2ac\ub780 \ubc15: \uc774\uc0c1\uacfc \ud604\uc2e4 \uc0ac\uc774\uc758 \uac04\uadf9<\/strong><\/h5>\n<p style=\"text-align: justify;\">\uace0\ub824\uc778 4\uc138\uc778 \ub8e8\uc2ac\ub780 \ubc15\uc740 \uc601\ud654 &lt;\ud558\ub098\uc548&gt;\uc744 \ud1b5\ud574 \uad6d\uc81c\uc601\ud654\uc81c\uc5d0 \ub370\ubdd4\ud558\uba70 \ub0af\uc120 \ubbfc\uc871\uc9d1\ub2e8\uc778 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778\uc744 \uc8fc\uc81c\ub85c \uc0bc\uc544 \uc790\uae30\uc815\uccb4\uc131\uc758 \ubb38\uc81c\ub97c \uc81c\uae30\ud588\ub2e4. \uc601\ud654\ub294 \uc18c\ub828 \uc2dc\uae30 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4\uc5d0\uc11c \ud0dc\uc5b4\ub09c \uace0\ub824\uc778 \uc2a4\ud0c0\uc2a4(\uc2a4\ud0c0\ub2c8\uc2ac\ub77c\ud504 \ud2f0\uc580Stanislav Tyan\uc774 \uc5f0\uae30)\uac00 \ub9cc\uc5f0\ud55c \uc0c1\uc2e4\uac10\uc5d0 \ub300\uc751\ud558\uba70 \uc2ec\ub9ac\uc801\uc73c\ub85c \uac08\ub4f1\ud558\uace0 \u201c\uc774\uc0c1\u201d\uc744 \ub05d\uc5c6\uc774 \ucd94\uad6c\ud558\ub294 \ubaa8\uc2b5\uc744 \uadf8\ub824\ub0b8\ub2e4. \uc601\ud654 \uc804\ubc18\uc5d0 1990\ub144\ub300\ub97c \uc0c1\uc9d5\ud558\ub294 \uac10\uc815\uc774\ub77c\uace0 \ud560 \uc218 \uc788\ub294 \uc808\ub9dd\uac10\uacfc \ubaa9\uc801 \uc0c1\uc2e4\uac10\uc774 \uc2a4\uba70\ub4e4\uc5b4 \uc788\uc73c\uba70, \ub530\ub77c\uc11c \u2018\ub124\uc624\uccb4\ub974\ub204\uce74(<em>neochernukha<\/em>)\u2019\ub77c\ub294 \uc7a5\ub974\ub85c \ubd84\ub958\ud560 \uc218 \uc788\ub2e4.\uc601\ud654 \uc18d\uc5d0\uc11c \uc18c\ub828 \ubd95\uad34 \uc774\ud6c4 \ud0c0\uc288\ucf04\ud2b8\ub294 \ub354\ub7ec\uc6b4 \uc544\ud30c\ud2b8\uc640 \ud669\ud3d0\ud55c \ube4c\ub77c\uc758 \ub3c4\uc2dc\ub85c \uadf8\ub824\uc9c0\uba70, \uace0\ub824\uc778\uc778 \uc2a4\ud0c0\uc2a4, \uc2e0, \ucf54\uc18c\uc774\uc640 \ubc31\uc778\ucc98\ub7fc \uc0dd\uae34 \uc0ac\uc774\ub4dc\ub294 \ub9c8\uc57d\uc744 \ud558\uace0 \uac31\ub2e8\ub4e4\uc758 \uc2f8\uc6c0\uc5d0 \ud718\ub9d0\ub9ac\uba70 \uc2dc\uac04\uc744 \ubcf4\ub0b8\ub2e4. \uadf8\ub4e4 \ubaa8\ub450 \uc554\uc6b8\ud55c \uc0c1\ud669\uc5d0\uc11c \ubc97\uc5b4\ub098\ub824\uace0 \uc560\ub97c \uc4f4\ub2e4. \uc2e0\uc740 \ud55c\uad6d\uc73c\ub85c \uac00\uace0 \uc2a4\ud0c0\uc2a4\uc640 \ub098\uba38\uc9c0 \uce5c\uad6c\ub4e4\uc740 \ub9c8\uc57d\uc5d0\uc11c \ub3c4\ud53c\ucc98\ub97c \ucc3e\uc9c0\ub9cc, \ub9c8\uc57d\uc744 \uc2dc\uc791\ud55c \uc774\uc0c1 \uc0b6\uc744 \ud3ec\ud568\ud574 \uc18c\uc911\ud558\uac8c \uc5ec\uae30\ub294 \ubaa8\ub4e0 \uac83\uc744 \uc644\uc804\ud788 \uc783\uc5b4\ubc84\ub9b4 \uc218\ubc16\uc5d0 \uc5c6\uac8c \ub41c\ub2e4.<\/p>\n<p style=\"text-align: justify;\">\uc774\uc8fc\uc790\ub4e4\uc774 \ub9cc\ub4e0 \ub2e4\ub978 \uc601\ud654\ucc98\ub7fc &lt;\ud558\ub098\uc548&gt;\uc740 \uc815\uccb4\uc131\uc774\ub77c\ub294 \ubb38\uc81c\ub97c \ud0d0\uad6c\ud55c\ub2e4. \uc774\uc8fc\uc790 \uc601\ud654\uc758 \uc8fc\uc694 \uc8fc\uc81c\uc778 \uc815\uccb4\uc131\uc740 \ubfcc\ub9ac\uac00 \ubf51\ud600\uc838 \ub098\uac14\ub2e4\ub294 \uac10\uc815\uacfc \u201c\uc5ed\uc0ac\uc801 \ubaa8\uad6d\u201d\uc774\ub77c\ub294 \uac1c\ub150\uc5d0 \ub300\ud55c \ubcf5\uc7a1\ud55c \uc2ec\ub9ac\uc5d0\uc11c \ube44\ub86f\ub418\uc5b4 \uc18c\uc18d\uac10\uc744 \ucc3e\uc73c\ub824\uace0 \ud558\ub294 \ud798\uaca8\uc6b4 \ub178\ub825\uacfc \uad00\ub828\ub418\uc5b4 \uc788\ub2e4. \ud55c\uad6d\uc73c\ub85c \uc774\uc8fc\ud55c \uc2e0\uc740 \uc2a4\ud0c0\uc2a4\uc5d0\uac8c \ud55c\uad6d\uc5d0\uc11c \ub354 \ub098\uc740 \uc0b6\uc758 \uac00\ub2a5\uc131\uc744 \ucc3e\uc544\ubcf4\ub77c\uace0 \uc870\uc5b8\ud558\uc9c0\ub9cc, \uc2a4\ud0c0\uc2a4\uc758 \ubc18\uc751\uc740 \ubbf8\uc9c0\uadfc\ud558\ub2e4. \uc2a4\ud0c0\uc2a4\uac00 \uc2e0\uc5d0\uac8c \u201c\uc5ec\uae30\uc11c \uc6b0\ub9ac\uac00 \uac00\uc9c0\uc9c0 \ubabb\ud55c \uac83\uc774 \ud55c\uad6d\uc5d0\ub294 \uc788\uc744\uae4c?\u201d \ub77c\uace0 \ubb3b\uc790, \uc2e0\uc740 \u201c\ubc14\ub2e4\u201d\ub77c\uace0 \ub2f5\ud55c\ub2e4. \uc2e0\uacfc \uc2a4\ud0c0\uc2a4\uc758 \ud68c\uc758\uc801 \ud0dc\ub3c4\ub294 \ubaa8\uad6d\uc5d0 \ub300\ud55c \uc774\uc8fc\uc790 \uac1c\uc778\uc758 \uc560\ucc29 \uac15\ub3c4\uac00 \uc2dc\uac04\uc801, \uacf5\uac04\uc801 \uadfc\uc811\uc131\uc5d0 \ub530\ub77c \ub2e4\ub974\ub2e4\ub294 \uc810\uc744 \ub4dc\ub7ec\ub0b4\uc9c0\ub9cc(Oh 2006), \uccad\ub144\ub4e4\uc740 \uc5ed\uc0ac\uc801 \uc774\uc720\ub85c \uc778\ud574 \uc870\uc0c1\uc758 \uace0\uad6d\uc5d0 \ub300\ud574 \uac15\ud55c \uc720\ub300\uac10\uc744 \ub4dc\ub7ec\ub0b4\uc9c0 \uc54a\ub294\ub2e4.<a href=\"#_edn1\" name=\"_ednref1\">[i]<\/a>&lt;\ud558\ub098\uc548&gt;\uc740 \u201c\uc774\uc0c1\uc801 \uc870\uad6d\uc5d0 \ucd08\uc810\uc744 \ub9de\ucd94\uba74 \uc774\uc8fc \ud658\uacbd\uc5d0\uc11c \ud615\uc131\ub41c \uad00\uacc4\uc640 \uacb0\uc18d\uc758 \uc911\uc694\uc131\uc740 \uc8fc\ubcc0\ubd80\ub85c \ubc00\ub824\ub098\uae30 \ub54c\ubb38\uc5d0\u201d(Soldavini 2010) \ubaa8\ub4e0 \uc774\uc8fc\uc790\uac00 \uc870\uc0c1\uc758 \uace0\uad6d\uc5d0 \ud070 \ud76c\ub9dd\uc744 \ud488\ub294 \uac83\uc740 \uc544\ub2c8\ub77c\ub294 \uc810\uc744 \uc2dc\uc0ac\ud55c\ub2e4. \uc601\ud654\ub294 \uc2a4\ud0c0\uc2a4\uc640 \uce5c\uad6c\ub4e4\uc758 \uc77c\uc0c1 \uc0dd\ud65c\uc5d0 \ub2e4\ubb38\ud654\uc8fc\uc758\uac00 \uae4a\uac8c \uce68\ud22c\ud574 \uc788\uc73c\uba70 \uc774\uc911\uc5b8\uc5b4 \uc0ac\uc6a9, \ub2e4\ubbfc\uc871\uc801 \uad00\uacc4, \uc5ec\ub7ec \ubbfc\uc871\uc758 \uc804\ud1b5\uc74c\uc2dd\uc774 \ud63c\ud569\ub41c \uc694\ub9ac \ub4f1\uc744 \ud1b5\ud574 \ub098\ud0c0\ub09c\ub2e4\ub294 \uc810\uc744 \ubcf4\uc5ec\uc90c\uc73c\ub85c\uc368 \uc774\uc8fc\uc790\uc758 \u201c\uc0c1\uc0c1\ub41c \ubcf8\uc9c8 \ub610\ub294 \uc21c\uc218\ud568\u201d\uc744 \ub4a4\ud754\ub4e0\ub2e4(De Man 2023).<\/p>\n<p style=\"text-align: justify;\">\uacb0\uad6d \uc2a4\ud0c0\uc2a4\ub294 \ud55c\uad6d\uc73c\ub85c \uac00\uc9c0\ub9cc, \uce5c\uad6c\uc758 \uc131\uacf5\uc774 \ub9c8\uc57d \uac70\ub798\uc640 \uad00\ub828\ub418\uc5b4 \uc788\ub2e4\ub294 \uac83\uc744 \uc54c\uac8c \ub41c\ub2e4. &lt;\ud558\ub098\uc548&gt;\uc740 \uc5f4\ub9b0 \uacb0\ub9d0\ub85c \ub05d\ub09c\ub2e4. \ub9c8\uc9c0\ub9c9 \uc7a5\uba74\uc5d0\uc11c \uc2a4\ud0c0\uc2a4\ub294 \uc57d\uc18d\uc758 \ub545\uc744 \uc0c1\uc9d5\ud558\ub294 \ubc14\ub2e4 \uc55e\uc5d0 \ud640\ub85c \uc549\uc544 \uc788\ub2e4. \uadf8\uac00 \uc774\ud6c4 \uc5b4\ub5bb\uac8c \ub410\ub294\uc9c0\ub294 \uc601\ud654\uc5d0 \ub098\uc624\uc9c0 \uc54a\ub294\ub2e4. &lt;\ud558\ub098\uc548&gt;\uc758 \uc5f4\ub9b0 \uacb0\ub9d0\uc740 \uc2e0\ud654\uc801 \uace0\uad6d\uc5d0 \ub300\ud55c \u201c\ub9d0\ub85c \ud45c\ud604\ub418\uc9c0 \uc54a\uc740\u201d \ud5a5\uc218\uc640 \uadc0\ud658\uc774\ub77c\ub294 \ud604\uc2e4 \uc0ac\uc774\uc5d0 \uc874\uc7ac\ud558\ub294 \uac04\uadf9\uc744 \ub4dc\ub7ec\ub0b4 \uace0\ub824\uc778\ub4e4\uc774 \ud55c\uad6d\uc73c\ub85c \uc774\uc8fc\ud55c \ub4a4\uc5d0\ub3c4 \uc870\uc0c1\uc758 \uace0\uad6d\uc5d0\uc11c \uacc4\uc18d \u201c\ubc29\ud669\u201d\ud558\uba70 \ud55c\uad6d\uc774 \ub9c8\uc9c0\ub9c9 \ubaa9\uc801\uc9c0\uac00 \ub420 \uc218 \uc5c6\ub2e4\ub294 \uc0ac\uc2e4\uc744 \uae68\ub2eb\uae30\ub3c4 \ud55c\ub2e4\ub294 \uc810\uc744 \ubcf4\uc5ec\uc900\ub2e4 (Sim 2019). \uc601\ud654\uc758 \ub9c8\uc9c0\ub9c9 \uc7a5\uba74\uc5d0\uc11c \ubd84\uba85\ud788 \ub4dc\ub7ec\ub098\ub4ef\uc774 \u2018\ud558\ub098\uc548\u2019\uc740 \uc78a\uc5b4\ubc84\ub9b0 \uace0\uad6d\uc774 \uc544\ub2c8\ub2e4. \uc8fc\uc778\uacf5\uc774 \uac08\ub9dd\ud558\ub294 \u201c\uace0\ud5a5\u201d\uc740 \uadf8\uc758 \uace0\uad6d\ub3c4 \uadf8\uac00 \uc0ac\ub294 \ub098\ub77c\ub3c4 \uc544\ub2cc \uc54c \uc218 \uc5c6\ub294 \u201c\uc5b4\ub518\uac00\u201d\ub85c \uac00\ub294 \uc5ec\uc815\uc774\ub2e4(Prime 2016).<\/p>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: justify;\"><strong>&lt;\uc591\uadc0\ube44 \ud544 \ubb34\ub835 <\/strong><strong>When Poppies Bloom<\/strong><strong>&gt; (2019): \uace0\ub824\uc778 \uc815\uccb4\uc131\uc758 \uc7ac\uad6c\uc131<\/strong><\/h5>\n<p style=\"text-align: justify;\">\uace0\ub824\uc778 \uc601\ud654\ub294 \uc544\uc9c1 \ubc1c\uc804 \ub2e8\uacc4\uc774\uba70, \uac10\ub3c5\ub4e4\uc740 \uc601\uc0c1 \ubb38\ud654\ub77c\ub294 \ud2c0 \uc548\uc5d0\uc11c \uc790\uc2e0\uc744 \ud45c\ud604\ud558\ub294 \uc5ec\ub7ec \ubc29\ubc95\uc744 \uc2e4\ud5d8\ud558\uace0 \uc788\ub2e4\ub294 \uc810\uc744 \uc5fc\ub450\uc5d0 \ub458 \ud544\uc694\uac00 \uc788\ub2e4. \uadf8\ub7ec\ub098 \uc774\uc8fc\uc790 \uc608\uc220\uc744 \ubd84\uc11d\ud560 \ub54c \uc601\ud654\ub97c \ud3ec\ud568\ud558\uba74 \u201c\uc608\uc220\uc744 \ubd84\uc11d\ud560 \ub54c \uc5ec\ub7ec \uce35\uc704\uc5d0 \uc788\ub294 \uc7ac\uc678 \ud55c\uc778\ub4e4\uc758 \ubaa9\uc18c\ub9ac\ub97c \uc885\ud569\ud568\uc73c\ub85c\uc368 \u201c\uc0c1\uc704\u201d \uc608\uc220\uacfc \u201c\ud558\uc704 \uc608\uc220\u201d \uc0ac\uc774\uc758 \uac04\uadf9\uc744 \ud1b5\ud569\u201d(Son, 2012)\ud560 \uc218 \uc788\ub2e4. \ub9ac\ud0c0 \ubc15(Rita Pak)\uc758 &lt;\uc591\uadc0\ube44 \ud544 \ubb34\ub835&gt;\uc774 \uace0\ucc28\uc6d0\uc801\uc778 \uc608\uc220\uc5d0\ub294 \ub3c4\ub2ec\ud558\uc9c0 \ubabb\ud588\ub2e4\uace0 \ud3c9\uac00\ud560 \uc218\ub3c4 \uc788\uc9c0\ub9cc, \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778\uc758 \uc0b6\uacfc \uc0ac\uace0\ubc29\uc2dd\uc744 \ub2e4\ub8e8\uc5b4 \uace0\ub824\uc778\uc758 \uc815\uccb4\uc131\uc744 \uc774\ud574\ud558\uae30\uc5d0 \uc720\uc6a9\ud55c \uc790\ub8cc\ub2e4. \uc601\ud654\ub294 \uc18c\ub144 \ub85c\ub9c8(Roma, \uc5b4\ub9b0 \uc2dc\uc808\uc740 \ubc14\ub524 \ud0b4Vadim Kim\uc774, \uc131\uc778 \uc2dc\uc808\uc740 \ube14\ub77c\ub514\ubbf8\ub974 \uc720\uac00\uc774Vladimir Yugai\uac00 \uc5f0\uae30)\uac00 \ubd80\ubaa8\uc5d0\uac8c\uc11c \ubc84\ub9bc\ubc1b\uc740 \ub4a4 \uace0\ub824\uc778 \uc9d1\ub2e8 \ub18d\uc7a5\uc5d0\uc11c \uc870\ubd80\ubaa8\uc758 \uc190\uc5d0 \ud0a4\uc6cc\uc9c0\uace0 \uacf5\ubb34\uc6d0\uc73c\ub85c \uc131\uc7a5\ud558\ub294 \ubaa8\uc2b5\uc744 \uadf8\ub824\ub0b4\ub294 \uc131\uacf5 \uc2a4\ud1a0\ub9ac\ub2e4. \uc601\ud654\uc5d0\uc11c \ub85c\ub9c8\ub294 \uc601\uc6c5\ucc98\ub7fc \uc5b4\ub9b0 \uc2dc\uc808\ubd80\ud130 \uc5ec\ub7ec \ub3c4\uc804\uacfc \uac1c\uc778\uc801 \uace0\ub09c\uc744 \ud5e4\uccd0 \ub098\uac00\uba70 \uc131\uc778\uc774 \ub41c\ub2e4.<\/p>\n<p style=\"text-align: justify;\">\uc624\ub298\ub0a0\uc758 \ud574\uc11d\uc5d0 \ub530\ub974\uba74 \ucf5c\ud638\uc988\ub294 \u201c\uace0\ub824\uc778 \uc9d1\ub2e8 \ub18d\uc7a5\u201d\uc774\uc790 \u201c\uae30\uc5b5\uc758 \uacf5\uac04\u201d\uc774\ub77c\ub294 \ud2b9\uc218\ud55c \uc7a5\uc18c\ub2e4. \uc601\ud654\uc758 \uc774\uc57c\uae30 \ub300\ubd80\ubd84\uc740 \ucf5c\ud638\uc988\uc5d0\uc11c \uc804\uac1c\ub418\uba70, \uace0\ub824\uc778\ub4e4\uc774 \uc0ac\uc6a9\ud558\ub294 \ud2b9\uc774\ud55c \ud615\ud0dc\uc758 \ud0c8\uace1\uae30(\ud30c\uc774pai)\ub098 \uacfc\uac70\uc5d0 \uc9c0\ucf1c\uc9c0\ub358 \uc804\ud1b5\uacfc \uac19\uc740 \uace0\ub824\uc778\ub9cc\uc758 \uace0\uc720\ud55c \ubb38\ud654\ub97c \uadf8\ub824\ub0b4 \uc18c\ub828 \uc2dc\uae30 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778\ub4e4\ub9cc\uc758 \ub3c5\ud2b9\ud55c \uc0dd\ud65c\uc0c1\uc744 \uc870\uba85\ud55c\ub2e4. \uc601\ud654\uac00 \uacfc\uac70\ub97c \uc7ac\ud604\ud558\ub294 \ubc29\uc2dd\uc5d0\uc11c \uac00\uc7a5 \uc911\uc694\ud55c \uc694\uc18c\ub294 \ud5a5\uc218\ub2e4. \uac10\ub3c5\uc740 \ub098\uc774\ub4e0 \uc138\ub300\uc758 \uacbd\ud5d8\uc744 \ubc14\ud0d5\uc73c\ub85c \uba85\uc808, \ud654\ud22c, \ub5a1 \ub9cc\ub4e4\uae30, \ud658\uac11 \uc794\uce58 \ub4f1\uc758 \ubaa8\uc2b5\uc744 \uadf8\ub824\ub0b4\uc5b4 \uacfc\uac70\ub97c \uc0ac\uc2e4\uc801\uc73c\ub85c \uc7ac\ud604\ud558\uace0 \ud5a5\uc218\ub97c \ubd88\ub7ec \uc77c\uc73c\ud0a8\ub2e4. \uc18c\ub828 \uc815\ubd80\uac00 \ucd94\uc9c4\ud55c \u201c\ubbfc\uc871 \ud63c\ud569\u201d \uc815\ucc45\uc73c\ub85c \uc778\ud574 \uace0\ub824\uc778\ub4e4\uc774 \uc790\uc2e0\ub4e4\uc758 \uace0\uc720\ud55c \ubb38\ud654\uc640 \uc815\uccb4\uc131\uc744 \uac10\ucd94\uace0\uc790 \ud588\ub358 \uc2dc\ub300\uc801 \uc0c1\ud669\uc744 \ubc30\uacbd\uc73c\ub85c \uc0bc\uc544 \uc601\ud654\ub294 \ub85c\ub9c8\uac00 \uc774\uc9c8\uc801\uc778 \ubb38\ud654\uc801 \ubc30\uacbd\uc5d0\uc11c \ud55c \uac1c\uc778\uc774\uc790 \ud55c\uc778 \uacf5\ub3d9\uccb4\uc758 \uc77c\uc6d0\uc73c\ub85c\uc11c \uc131\uc7a5\ud558\ub294 \ubaa8\uc2b5\uc744 \ubb18\uc0ac\ud55c\ub2e4. &lt;\uc591\uadc0\ube44 \ud544 \ubb34\ub835&gt;\uc740 \uc5b4\ub838\uc744 \ub54c\ubd80\ud130 \uac1c\ucc99 \uc2dc\uae30, \ud559\ucc3d \uc2dc\uc808, \ud574\uad70\uc5d0 \ubcf5\ubb34\ud558\ub358 \uc2dc\uae30, \uacf5\uc7a5 \uc0dd\ud65c\uae4c\uc9c0 \uc774\uc5b4\uc9c0\ub294 \ub85c\ub9c8\uc758 \uc0dd\uc560\ub97c \ud1b5\ud574 \u201c\ud55c\uc778 \ub514\uc544\uc2a4\ud3ec\ub77c\uac00 \uac15\uc81c \uc774\uc8fc\uc9c0\uc5d0\uc11c\uc758 \ud639\ub3c5\ud55c \ud658\uacbd\uc5d0 \uc801\uc751\ud558\ub294 \uc0b6\uc758 \ubc29\uc2dd\uc744 \ubc1c\uc804\uc2dc\ud0a4\uace0 \ube44\uad50\uc801 \uc9e7\uc740 \uae30\uac04 \ub0b4\uc5d0 \ub7ec\uc2dc\uc544 \ub610\ub294 \ub7ec\uc2dc\uc544\ud654\ub41c \uc0ac\ud68c\uc5d0 \ud1b5\ud569\u201d\ub418\uc5c8\ub2e4\ub294 \uc810\uc744 \uc785\uc99d\ud55c\ub2e4(Oh, 2006). &lt;\uc591\uadc0\ube44 \ud544 \ubb34\ub835&gt;\uc740 \uc774\uc8fc\uc790 \uc601\ud654\uac00 \u2018\ubbfc\uc871\u2019\ubcf4\ub2e4\ub294 \u2018\ubb38\ud654\uc801\u2019 \uce21\uba74\uc5d0 \uc8fc\ubaa9\ud558\ub294 \uc0ac\ub840\ub85c, \uacfc\uac70\uc640 \ud604\uc7ac\uc5d0 \uace0\ub824\uc778\uc73c\ub85c\uc11c \uc0b0\ub2e4\ub294 \uac83\uc774 \ubb34\uc5c7\uc744 \uc758\ubbf8\ud558\ub294\uc9c0\uc5d0 \ub300\ud574 \ud3ed\ub113\uac8c \uc774\ud574\ud558\ub294 \ubc29\uc2dd\uc744 \ubcf4\uc5ec\uc900\ub2e4. \uc601\ud654\ub294 \uc131\uc778\uc774 \ub41c \ub85c\ub9c8\uac00 \ub3c4\uc2dc\uc5d0\uc11c \uacf5\uc7a5\uc5d0\uc11c \uc77c\ud558\ub294 \ubaa8\uc2b5\uacfc \ub3d9\uc2dc\uc5d0 \ub85c\ub9c8\uc758 \uc870\ubd80\ubaa8\ub4e4\uc774 \uc5ec\uc804\ud788 \ucf5c\ud638\uc988\uc5d0 \uc0ac\ub294 \ubaa8\uc2b5\uc744 \ud1b5\ud574 \uc9d1\ub2e8\ub18d\uc7a5\uc5d0 \uacc4\uc18d \uba38\ubb34\ub978 \uace0\ub824\uc778\uacfc \uc774\uc8fc \uc81c\ud55c\uc774 \ud574\uc81c\ub41c \uc774\ud6c4 \ub3c4\uc2dc\ub85c \ub5a0\ub09c \uace0\ub824\uc778 \uc0ac\uc774\uc758 \uc11c\ub85c \ub2e4\ub978 \uc0dd\ud65c \ubc29\uc2dd\uc774 \ub3d9\uc2dc\uc5d0 \uc874\uc7ac\ud588\ub2e4\ub294 \uc810\uc744 \ud45c\ud604\ud55c\ub2e4. \uc637\ucc28\ub9bc\uacfc \uba38\ub9ac \ubaa8\uc591 \ub610\ud55c \ub85c\ub9c8\uac00 \ud55c\uc778\uc758 \uc804\ud1b5 \uc720\uc0b0\uacfc\ub294 \ub2e4\ub978 \uc18c\ub828\uc2dd \uc591\uc2dd\uacfc \uc0dd\ud65c \ubc29\uc2dd\uc744 \ubc1b\uc544\ub4e4\uc600\ub2e4\ub294 \uc810\uc744 \uc758\ubbf8\ud574 10\ub144 \ub3d9\uc548 \uc5b4\ub5a4 \ubcc0\ud654\uac00 \uc788\uc5c8\ub294\uc9c0\ub97c \ubb18\uc0ac\ud558\ub294 \ud55c\ud3b8 \uc0b0\uc18c\uc5d0\uc11c \uc808\uc744 \ud558\uac70\ub098 \ud55c\uc778 \uc74c\uc2dd\uc744 \uba39\ub294 \ubaa8\uc2b5\uc740 \uadf8\uac00 \uc5ec\uc804\ud788 \ubbfc\uc871\uc801 \uace0\ud5a5\uacfc \ubb38\ud654\uc801\uc778 \uc5f0\uacb0\uc744 \uc720\uc9c0\ud558\uace0 \uc788\ub2e4\ub294 \uc810\uc744 \ub9d0\ud574 \uc900\ub2e4.<\/p>\n<p style=\"text-align: justify;\">&lt;\uc591\uadc0\ube44 \ud544 \ubb34\ub835&gt;\uc740 \uace0\ub824\ub9d0\uacfc \uad00\ub828\ub41c \uc0ac\uac74<a href=\"#_edn2\" name=\"_ednref2\">[ii]<\/a>\uc744 \ud1b5\ud574 \uace0\ub824\uc778 \uc815\uccb4\uc131\uc758 \uac1c\ub150\uc744 \uc7ac\uad6c\uc131\ud55c\ub2e4. \ub098\uc774\ub4e0 \ud55c\uc778\ub4e4\uc740 \ub7ec\uc2dc\uc544\uc5b4\ub97c \ub2a5\uc219\ud558\uac8c \uad6c\uc0ac\ud558\uba74\uc11c\ub3c4 \uace0\ub824\ub9d0\uc744 \uacc4\uc18d\ud574\uc11c \uc0ac\uc6a9\ud55c\ub2e4. \ub85c\ub9c8\uc758 \ud560\uba38\ub2c8\ub97c \uc5f0\uae30\ud55c \ub77c\ub9ac\uc0ac \ub9ac\uac00\uc774(Larisa Ligay)\ub294 1970\ub144\ub300 \uace0\ub824\uc778\ub4e4\uc740 \uc9d1\ub2e8\ub18d\uc7a5\uc5d0\uc11c \ud0dc\uc5b4\ub0ac\uace0 \uace0\ub824\ub9d0\uc744 \ud560 \uc904 \uc548\ub2e4\ub294 \uc810\uc5d0 \ubd80\ub044\ub7ec\uc6cc\ud588\ub2e4\uace0 \uae30\uc5b5\ud55c\ub2e4. \uadf8\ub7ec\ub098 \uacfc\uac70\uc5d0\ub294 \uc18c\uc678\ub418\uc5c8\ub358 \uc5b8\uc5b4\uc778 \uace0\ub824\ub9d0\uc740 \uc624\ub298\ub0a0\uc5d0\ub294 \ubcf4\uc874\ud574\uc57c \ud560 \ubb38\ud654 \uc720\uc0b0\uc774 \ub418\uc5c8\uace0, \uac10\ub3c5\uc740 \uc77c\ubd80 \uc7a5\uba74\uc5d0\uc11c \uace0\ub824\ub9d0\uc744 \uc0ac\uc6a9\ud558\ub294 \ubaa8\uc2b5\uc744 \ud1b5\ud574 \uc601\ud654\uc758 \uc9c4\uc815\uc131\uc744 \uac15\ud654\ud588\ub2e4. \uc774\ub7ec\ud55c \uc810\uc5d0\uc11c \ubcfc \ub54c \uace0\ub824\uc778\uc758 \uc790\uae30 \uc778\uc2dd\uc774 \ubcc0\ud654\ud558\ub294 \uc5ed\ub3d9\uc131\uc740 \ud765\ubbf8\ub86d\ub2e4. \ud398\ub808\uc2a4\ud2b8\ub85c\uc774\uce74 \uae30\uac04\uc5d0 \uace0\ub824\uc778\ub4e4\uc740 \ud55c\uad6d\uc778\uc73c\ub85c\uc11c \uac15\ud55c \uc815\uccb4\uc131\uc744 \ubc1c\uc804\uc2dc\ud0a4\uace0 \ud55c\uad6d\uc758 \ubcf8\ub798 \ubb38\ud654\ub97c \uc218\uc6a9\ud558\ub824\uace0 \ub178\ub825\ud588\uc9c0\ub9cc, \uc2dc\uac04\uc774 \ud750\ub974\uba74\uc11c \uc815\uccb4\uc131\uacfc \uc18c\uc18d\uc744 \ub354\uc6b1 \ube44\ud310\uc801\uc73c\ub85c \ubcf4\uae30 \uc2dc\uc791\ud588\ub2e4. 1970\ub144\ub300\uc640 1990\ub144\ub300 \uace0\ub824\uc778\ub4e4\uc774 \uacbd\ud5d8\ud55c \uc5f4\ub4f1\uac10\uc740 \uc790\ubd80\uc2ec\uc73c\ub85c \ubc1c\uc804\ud588\uace0, \u201c\ud0c0\uc790\uc131\u201d\uc744 \ud1b5\ud574 \uace0\ub824\uc778\ub4e4\uc740 \ub2e8\uc77c\ubbfc\uc871\uc774\ub77c\ub294 \uacbd\uacc4\ub97c \ub118\uc5b4 \uc138\uacc4\uc801 \ubb38\ud654 \uc804\ud1b5\uc758 \ud55c \ubd80\ubd84\uc73c\ub85c\uc11c \uc790\uc2e0\ub4e4\uc744 \uc778\uc2dd\ud560 \uc218 \uc788\uc5c8\ub2e4(Khan, 2007).<\/p>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: justify;\"><strong>\ub77c\ub9ac\uc0ac \ub9ac\uac00\uc774(Larisa Ligay)\uc758 &lt;\ud569\ucc3d\ub2e8 The Choir&gt; (2019)\uacfc &lt;\uc870\uc57d\ub3cc Pebbles&gt;(2023): \uace0\ub824\uc778 \ubb38\ud654\uc758 \ub9c8\uc9c0\ub9c9 \uc790\ucde8<\/strong><\/h5>\n<p style=\"text-align: justify;\">\uc601\ud654 &lt;\ud569\ucc3d\ub2e8&gt;\uc740 \ub2e4\ud050\uba58\ud130\ub9ac \ud544\ub984 \uad6d\uc81c\uc5f0\uad6c\uc18c\uc778 \u201cEuropean Union Focus Cine Lab\u201d\uc5d0\uc11c \uc81c\uc791\ub418\uc5c8\uc73c\uba70, &#8216;\uc0ac\ub77c\uc838 \uac00\ub294 \uc138\uacc4&#8217;\ub97c \uc8fc\uc81c\ub85c \ud558\uace0 \uc788\ub2e4. \uac10\ub3c5\uc778 \ub77c\ub9ac\uc0ac \ub9ac\uac00\uc774\uc5d0 \ub530\ub974\uba74, &#8220;&lt;\ud569\ucc3d\ub2e8&gt;\uacfc &lt;\uc870\uc57d\ub3cc&gt; \ubaa8\ub450 \ub178\ub144 \uc138\ub300\uc758 \uace0\ub824\uc778\uc5d0 \uad00\ud55c \uc774\uc57c\uae30\uc785\ub2c8\ub2e4. \uc774\ub4e4\uc740 \ud55c\ub54c \uc9d1\ub2e8 \ub18d\uc7a5\uc5d0\uc11c \uc0b4\uba70 \uace0\ub824\ub9d0\uc744 \uc0ac\uc6a9\ud558\ub358 \uc0ac\ub78c\ub4e4\ub85c, \uc800\uc5d0\uac8c\ub294 \uc810\ucc28 \uc0ac\ub77c\uc838 \uac00\ub294 \uc138\uacc4\ub97c \uc0c1\uc9d5\ud569\ub2c8\ub2e4.&#8221;<\/p>\n<p style=\"text-align: justify;\">&lt;\ud569\ucc3d\ub2e8&gt;\uc5d0\ub294 \ud55c\uc778, \ub7ec\uc2dc\uc544, \uc6b0\uc988\ubca0\ud06c\uc778\uc758 \uc694\uc18c\ub4e4\uc774 \uc790\uc5f0\uc2a4\ub7fd\uac8c \uc735\ud569\ub418\uc5b4 \uc788\uc73c\uba70, \ub2e4\uc778\uc885 \ud658\uacbd\uc5d0\uc11c \uc0b4\uc544\uac00\ub294 \uace0\ub824\uc778\uc758 \ubcf5\ud569\uc801\uc778 \ubb38\ud654\uc801 \uc815\uccb4\uc131\uc744 \ubc18\uc601\ud55c\ub2e4. \ub9ac\uac00\uc774 \uac10\ub3c5\uc740 \ud569\ucc3d\ub2e8\uc6d0\ub4e4\uc774 \uc18c\ub828\uc758 \ub178\ub798\ub97c \uc5f0\uc2b5\ud558\uac70\ub098, \ub7ec\uc2dc\uc544\uc640 \uc6b0\uc988\ubca0\ud06c \uc74c\uc2dd\uc774 \uc5b4\uc6b0\ub7ec\uc9c4 \uc990\uac70\uc6b4 \uc5f0\ud68c\ub97c \uc900\ube44\ud558\ub294 \uc7a5\uba74\uc5d0\uc11c \ub7ec\uc2dc\uc544\uc5b4\uc640 \uace0\ub824\ub9d0\uc744 \ud568\uaed8 \uc0ac\uc6a9\ud574 \uc18c\ud1b5\ud558\ub294 \uc7a5\uba74\uc744 \ud1b5\ud574 \uc5ec\ub7ec \ubb38\ud654 \uc0ac\uc774\uc5d0\uc11c \uc0b4\uc544\uac00\ub294 \uacbd\ud5d8\uc744 \uc131\ucc30\ud55c\ub2e4. \uadf8\ub7ec\ub098 \uc5f0\uc2b5\uacfc \uc5f0\ud68c \uc7a5\uba74\uc774 \ub05d\ub09c \ud6c4, \uc7a5\uba74\uc740 \uc77c\uc0c1\ubcf5\uc744 \ubc97\uace0 \ud55c\ubcf5\uc73c\ub85c \uac08\uc544\uc785\uc73c\uba70 \ubb34\ub300\uc5d0 \uc624\ub97c \uc900\ube44\ub97c \ud558\ub294 \uc5ec\uc131\ub4e4\uc758 \ubaa8\uc2b5\uc73c\ub85c \uc804\ud658\ub41c\ub2e4. \ud569\ucc3d\ub2e8\uc6d0\ub4e4\uc774 \uc900\ube44\ub97c \ud558\ub294 \uc774 \ubaa8\uc2b5\uc5d0\uc11c \ubd80\ub4dc\ub7ec\uc6b4 \ud55c\uad6d \ub178\ub798\uc758 \ud5c8\ubc0d\uc774 \uacf5\uac04\uc744 \uac10\uc2f8\uba70, \uc9d1\ub2e8\uc801 \ubb38\ud654 \uae30\uc5b5\uc744 \ubd88\ub7ec\uc77c\uc73c\ud0a8\ub2e4. \ub2e4\ud050\uba58\ud130\ub9ac\ub294 \ud569\ucc3d\ub2e8\uc6d0\ub4e4\uc758 \ud074\ub85c\uc988\uc5c5\uacfc \ud568\uaed8 \uac01 \uc9c0\uc5ed\uc5d0\uc11c \uc628 \uacf5\uc5f0\ub2e8\uc774 \ub300\uaddc\ubaa8 \ubb34\ub300\uc5d0\uc11c &#8220;\uc544\ub9ac\ub791&#8221;\uc744 \ubd80\ub974\ub294 \uc601\uc0c1\uc73c\ub85c \ub9c8\ubb34\ub9ac\ub41c\ub2e4. \uc77c\ubc18\uc801\uc778 \uc778\uc2dd\uacfc \ub2ec\ub9ac, \uc774 \uc601\ud654\uc5d0\uc11c\uc758 &#8220;\uc544\ub9ac\ub791&#8221;\uc740 \uc870\uad6d\uc5d0 \ub300\ud55c \uadf8\ub9ac\uc6c0\ubcf4\ub2e4\ub294 \uc804\ud1b5\uc801\uc778 \uace0\ub824 \uc0ac\ub78c\uc758 \ubb38\ud654\uc758 \uc1e0\ud1f4\uc640 \uadf8 \ub9c8\uc9c0\ub9c9 \ub0a8\uc740 \uc138\ub300\ub97c \uc0c1\uc9d5\ud55c\ub2e4.<\/p>\n<p style=\"text-align: justify;\">&lt;\ud569\ucc3d\ub2e8&gt;\uc5d0\uc11c \uc81c\uc2dc\ud55c &#8216;\uc0ac\ub77c\uc838 \uac00\ub294 \uc138\ub300&#8217;\uc5d0 \ub300\ud55c \ubaa8\ud2f0\ube0c\ub294 \uac10\ub3c5\uc758 \ud6c4\uc18d\uc791\uc778 \ud6c4\uc18d\uc791 &lt;\uc870\uc57d\ub3cc&gt;\uc5d0\uc11c \ud655\uc7a5\ub41c\ub2e4. \uc601\ud654\ub294 \uc9d1\ub2e8\ub18d\uc7a5\uc5d0\uc11c \uc0b4\uc544\uac00\uba70 \ud604\uc9c0 \uace0\ub824\uc778 \ud569\ucc3d\ub2e8\uc758 \uc5ec\uc131\uc744 \uc0ac\ub791\ud558\uac8c \ub41c \ud55c \ub178\uc778(\ubc30\uc6b0 \ubc4c\uccb4\uc2ac\ub77c\ud504 \uae40Vyacheslav Kim\uc774 \uc5f0\uae30)\uc758 \ub290\ub9b0 \ud15c\ud3ec\uc758 \uc0b6\uc744 \ub2e4\ub8ec\ub2e4. \uc5ec\uc131\uc758 \uac11\uc791\uc2a4\ub7ec\uc6b4 \uc8fd\uc74c\uc73c\ub85c \uc778\ud574 \ubc8c\uc5b4\uc9c0\ub294 \uc548\ud0c0\uae4c\uc6b4 \ubc18\uc804\uc744 \uadf8\ub9b0 \uc774 \uc601\ud654\ub294 \uc2dc\uac04\uc774 \uc9c0\ub098\uba70 \ub2e4\uc591\ud55c \ud48d\uc2b5\uc774 \uc735\ud569\ub41c \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778\uc758 \uc7a5\ub840 \ubb38\ud654\ub97c \ubcf4\uc5ec\uc900\ub2e4. \uc601\ud654 \uc18d\uc5d0\uc11c \ub7ec\uc2dc\uc544 \uc7a5\ub840\uc2dd \uc545\ub2e8, \ubb18\uc9c0\uc5d0\uc11c \ud1b5\uace1\ud558\uba70 \uc808\ud558\ub294 \uc870\ubb38\uac1d\ub4e4, \uc758\ub840\uc801\uc73c\ub85c \uc0ac\uc6a9\ub41c \ud770\uc0c9 \uba38\ub9ac \uc2a4\uce74\ud504\ub294 \uace0\ub824\uc778\uc758 \ud63c\ud569\ub41c \uc815\uccb4\uc131\uc744 \ubcf4\uc5ec\uc8fc\ub294 \uac00\uc2dc\uc801 \uc0c1\uc9d5\uc774\ub2e4. \ub9ac\uac00\uc774 \uac10\ub3c5\uc740 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \ud48d\uacbd \uc18d\uc5d0 \uace0\ub824\uc778\uc758 \ubb38\ud654\uc801 \ubc30\uce58\ub97c \uc124\uc815\ud568\uc73c\ub85c\uc368, \uc870\uc0c1\uc758 \ub545\uacfc\uc758 \uc5f0\uacb0\uacfc \ucd94\uc5b5\uc744 \uc0c1\uae30\uc2dc\ud0ac \ubfd0\ub9cc \uc544\ub2c8\ub77c \ub514\uc544\uc2a4\ud3ec\ub77c \uacf5\ub3d9\uccb4\ub4e4\uc774 \uc790\uc2e0\ub4e4\uc758 \ubbfc\uc871\uc801 \ucd9c\uc2e0\uacfc \uadf8\ub4e4\uc774 \uc9c0\uae08 \uc18d\ud55c \ub098\ub77c\uc5d0 \ub300\ud574 \uacf5\uc720\ud558\ub294 \uc815\uccb4\uc131\uc744 \uadf8\ub824\ub0b8\ub2e4. \uc7a5\ub840\ub97c \ub9c8\uce58\uace0 \ub09c \ub4a4 \uc8fc\uc778\uacf5\uc740 \ubb34\ub364\uc5d0\uc11c \uc791\uc740 \ub3cc\uba69\uc774\ub97c \uc8fc\uc6cc \uc0c1\uc790\uc5d0 \ub123\ub294\ub370, \uadf8 \uc0c1\uc790\uc5d0\ub294 \uadf8\uac00 \uc54c\uace0 \uc9c0\ub0b4\ub358 \uace0\uc778\ub4e4\uc744 \uae30\ub9ac\uae30 \uc704\ud574 \ubaa8\uc740 \ub3cc\uba69\uc774\ub4e4\uc774 \ub4e4\uc5b4 \uc788\ub2e4. \uc601\ud654\uc758 \ub9c8\uc9c0\ub9c9 \ubd80\ubd84\uc5d0\uc11c \uac10\ub3c5\uc740 \ud654\uba74\uc744 \ud1b5\ud574 \uace0\ub824\uc778\ub4e4\uc758 \uc5ed\uc0ac\uc801 \ubc30\uacbd\uc5d0 \ub300\ud55c \uc124\uba85\uc744 \uc81c\uacf5\ud55c\ub2e4:<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #333399;\"><em>&#8220;1937\ub144, \uc57d 7\ub9cc 5,000\uba85\uc758 \ud55c\uc778\uc774 \uadf9\ub3d9 \uc9c0\uc5ed\uc5d0\uc11c \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4\uc73c\ub85c \uac15\uc81c \uc774\uc8fc\ub97c \ub2f9\ud588\ub2e4. \uc774\uc8fc\ud55c \ud55c\uc778\ub4e4\uc740 \ud589\uc815\uc801\uc73c\ub85c \ucd94\ubc29\ub41c \uc2e0\ubd84\uc774\uc5c8\uace0, \uc81c\ud55c\ub41c \uad8c\ub9ac\ub97c \uac00\uc9c0\uba70 \uc911\uc559\uc544\uc2dc\uc544\ub97c \ubc97\uc5b4\ub0a0 \uc218 \uc5c6\uc5c8\ub2e4. \uadf8\ub4e4\uc740 \ud0c0\uc288\ucf04\ud2b8 \uc9c0\uc5ed\uc758 \ubbf8\uac1c\uac04\uc9c0, \uc544\ub784\ud574 \uc5f0\uc548, \uc544\ubb34\ub2e4\ub9ac\uc57c\uac15 \ud558\ub958\uc758 \ud669\ubb34\uc9c0\uc5d0 \uc815\ucc29\ud588\ub2e4. \uc774\uc8fc\ubbfc\ub4e4\uc740 222\uac1c\uc758 \uc9d1\ub2e8 \ub18d\uc7a5\uc5d0 \ud569\ub958\ud588\uace0, \ucd94\uac00\ub85c 50\uac1c\uc758 \uace0\ub824\uc778 \uc9d1\ub2e8 \ub18d\uc7a5\uc774 \ub9cc\ub4e4\uc5b4\uc84c\ub2e4. \uace0\ub824\uc778\uc758 \uadc0\ud658\uc740 \ubaa8\ub4e0 \uad8c\ub9ac\uc758 \uc81c\uc57d\uc774 \uc0ac\ub77c\uc9c4 1953-1957\ub144\uc5d0 \uc774\ub8e8\uc5b4\uc84c\ub2e4. \ud604\uc7ac \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4\uc5d0\ub294 \uc57d 20\ub9cc \uba85\uc758 \uace0\ub824\uc778\uc774 \uc0b4\uace0 \uc788\ub2e4. \uc774\ub4e4\uc740 \ubaa8\ub450 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4\uc744 \uc790\uc2e0\ub4e4\uc758 \uace0\ud5a5\uc73c\ub85c \uc5ec\uae30\uace0 \uc788\ub2e4.&#8221;<\/em><\/span><\/p>\n<figure id=\"attachment_7490\" aria-describedby=\"caption-attachment-7490\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7490\" src=\"http:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/2.jpg\" alt=\"\" width=\"720\" height=\"1280\" srcset=\"https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/2.jpg 720w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/2-169x300.jpg 169w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/2-576x1024.jpg 576w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/2-696x1237.jpg 696w, https:\/\/diverseasia.snu.ac.kr\/wp-content\/uploads\/2024\/09\/2-236x420.jpg 236w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption id=\"caption-attachment-7490\" class=\"wp-caption-text\"><strong>\uc601\ud654 &lt;\uc870\uc57d\ub3cc&gt; \ud3ec\uc2a4\ud130<\/strong><br \/>\uac10\ub3c5\uc73c\ub85c\ubd80\ud130 \uc0ac\uc6a9 \ud5c8\uac00\ub97c \ubc1b\uc74c<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">\ub9ac\uac00\uc774 \uac10\ub3c5\uc740 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778\uc744 \ub3c5\ud2b9\ud558\uace0 \uace0\uc720\ud55c \uc9d1\ub2e8\uc73c\ub85c \ubb18\uc0ac\ud55c\ub2e4. \ub2e4\uc591\ud55c \uc0ac\ud68c\ud559 \uc774\ub860(\uc2dc\uc6d0\uc8fc\uc758(primordialism), \ub3d9\ud654(assimilation), \ud1b5\ud569(integration) \ub4f1)\uc744 \uace0\ub824\uc778\ub4e4\uc5d0\uac8c \uc801\uc6a9\ud560 \uc218\ub294 \uc788\uc9c0\ub9cc, \uadf8\ub4e4\uc740 \uc5b4\ub290 \uc774\ub860\uc5d0\ub3c4 \uc644\ubcbd\ud558\uac8c \ub4e4\uc5b4\ub9de\uc9c0 \uc54a\ub294\ub2e4. \ubc1c\ub808\ub9ac \ud55c(Valery Khan)\uc774 \uc124\uba85\ud55c \ubc14\uc640 \uac19\uc774, &#8221; \ub3c5\ub9bd\uad6d\uac00\uc5f0\ud569\uc758 \uace0\ub824\uc778\ub4e4\uc740 \uc870\uc0c1\ub4e4\uc758 \ubb38\ud654\ub97c \ub9ce\uc774 \uc783\uc5b4\ubc84\ub838\uc9c0\ub9cc, \uadf8\ub4e4\uc740 \uc790\uc2e0\ub4e4\ub9cc\uc758 \ub3c5\ud2b9\ud55c \ubb38\ud654, \uc989 \uc720\ub77c\uc2dc\uc544 \uace0\ub824\uc778 \ubb38\ud654\ub97c \ub9cc\ub4e4\uc5b4\ub0c8\ub2e4&#8221; (Khan 2007).<\/p>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: justify;\"><strong>\uacb0\ub860: \uace0\ub824\uc778 \uc601\ud654, \ub514\uc544\uc2a4\ud3ec\ub77c \uac1c\ub150\uc5d0 \ub3c4\uc804\ud558\ub2e4<\/strong><\/h5>\n<p style=\"text-align: justify;\">&#8216;\ub514\uc544\uc2a4\ud3ec\ub77c&#8217;\ub294 \uad6d\uac00 \uc815\uccb4\uc131, \uc774\uc8fc, \uadf8\ub9ac\uace0 \uac15\uc81c \uc774\ub3d9\uc744 \uc774\ud574\ud558\uace0 \uc5f0\uad6c\ud558\ub294 \uc911\uc694\ud55c \uac1c\ub150\uc801 \ud2c0\ub85c \uc790\ub9ac\uc7a1\uc558\ub2e4. \ub514\uc544\uc2a4\ud3ec\ub77c \uc5f0\uad6c\uc640 \ub514\uc544\uc2a4\ud3ec\ub77c \uc601\ud654\ub294 \uace0\uad6d\uc774\ub77c\ub294 \uac1c\ub150\uacfc \uc815\uccb4\uc131 \ubb38\uc81c\ub97c \ubc00\uc811\ud558\uac8c \uc5f0\uad00\uc2dc\ud0a4\uace0 \uc788\ub2e4. \uadf8\ub7ec\ub098 \ucd5c\uadfc \ub4e4\uc5b4 \uace0\uad6d \uc2e0\ud654\uc5d0 \ub300\ud55c \uc5b8\uae09\uc740 \uc810\ucc28 \uc904\uc5b4\ub4e4\uace0 \uc788\ub2e4. \ub514\uc544\uc2a4\ud3ec\ub77c \uc815\uccb4\uc131\uc740 \uace0\uad6d\uc5d0 \ub300\ud55c \uc9d1\ucc29\ubcf4\ub2e4\ub294 \uc774\uc8fc\uc640 \uc815\ucc29, \uc0c8\ub85c\uc6b4 &#8216;\uace0\ud5a5&#8217;\uc744 \ub9cc\ub4e4\uc5b4\uac00\ub294 \uacbd\ud5d8\uc5d0\uc11c \ud615\uc131\ub418\uae30 \ub54c\ubb38\uc5d0(Soldavini 2010), \uace0\ub824\uc778\uacfc \uac19\uc740 \uc77c\ubd80 \uc18c\uc218 \ubbfc\uc871 \uacf5\ub3d9\uccb4\ub294 \uc5c4\uaca9\ud55c \uae30\uc900 \ub514\uc544\uc2a4\ud3ec\ub77c, \ud2b9\ud788 \uc774\uc0c1\uc801\uc778 \uc870\uad6d \uac1c\ub150\uc744 \uc911\uc2ec\uc73c\ub85c \ud55c \ub514\uc544\uc2a4\ud3ec\ub77c\uc758 \uc815\uc758\ub97c \ucda9\uc871\uc2dc\ud0a4\uc9c0 \ubabb\ud55c\ub2e4. \uc5b4\ub824\uc6c0\uc744 \uacaa\uc5c8\uc74c\uc5d0\ub3c4 \ubd88\uad6c\ud558\uace0, \uace0\ub824\uc778\ub4e4\uc740 \uc18c\ub828 \uc2dc\ubbfc\uc73c\ub85c\uc11c\uc758 \uc815\uccb4\uc131\uc5d0 \ub192\uc740 \uac00\uce58\ub97c \ub450\uace0, \uc18c\ub828 \uc0ac\ud68c\uc5d0 \ud1b5\ud569\ub418\ub294 \ub370 \uc131\uacf5\ud588\ub2e4. \uc774\ub7ec\ud55c \uc0ac\ub840\uc5d0\uc11c, \ub514\uc544\uc2a4\ud3ec\ub77c \uc601\ud654\ub294 \uc815\uccb4\uc131 \ubcc0\ud654\uc758 \ubcf5\uc7a1\uc131\uc744 \ubb18\uc0ac\ud558\uace0, (\ube44)\uc18c\uc18d\uac10\uc744 \uc804\ub2ec\ud558\uba70, \uc18c\uc218 \ubbfc\uc871\uc5d0 \ub300\ud55c \uc778\uc2dd\uc744 \ud655\uc0b0\uc2dc\ud0a4\ub294 \uc911\uc694\ud55c \uc5ed\ud560\uc744 \ud55c\ub2e4. \uc870\uc0c1\uc758 \uace0\ud5a5\uc774\ub098 \uc5ed\uc0ac\uc801 \uace0\uad6d\uc774\ub77c\ub294 \uac1c\ub150\uc740 \uae30\uc5b5\uc774\ub098 \uac15\ub82c\ud55c \uac10\uc815\uc744 \ubd88\ub7ec\uc77c\uc73c\ud0a4\ub294 \ud798\uc774 \uc788\uc9c0\ub9cc, \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uace0\ub824\uc778 \uac10\ub3c5\ub4e4\uc740 \ubcf5\ud569\uc801\uc778 \uc815\uccb4\uc131\uc744 \ubb18\uc0ac\ud568\uc73c\ub85c\uc368 \uc774\uc0c1\ud654\ub41c \uc870\uad6d\uc5d0 \ub300\ud55c \uadf8\ub9ac\uc6c0\uc744 \uc911\uc2ec\uc73c\ub85c \ud558\ub294 \ub514\uc544\uc2a4\ud3ec\ub77c \uc601\ud654\uc758 \ubcf8\uc9c8\uc5d0 \ub3c4\uc804\ud558\uace0 \uc788\ub2e4.<\/p>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: justify;\"><strong>\uc800\uc790 \uc18c\uac1c<\/strong><\/h5>\n<p style=\"text-align: justify;\"><strong>Olga Khan <\/strong>(helgafrey@naver.com)\uc740<br \/>\n\uc11c\uc6b8\ub300\ud559\uad50 \uc544\uc2dc\uc544\uc5f0\uad6c\uc18c\uc758 \ubc29\ubb38\ud559\uc790\uc774\uba70, \uc911\uc559\ub300\ud559\uad50\uc5d0\uc11c \uc601\ud654\ud559 \ubc15\uc0ac \ud559\uc704\ub97c \ubc1b\uc558\ub2e4. \uadf8\ub140\uc758 \uc8fc\uc694 \uc5f0\uad6c \uad00\uc2ec\uc0ac\ub294 \ud604\ub300 \uc6b0\uc988\ubca0\ud0a4\uc2a4\ud0c4 \uc601\ud654, \uc5ec\uc131 \uc774\ubbf8\uc9c0, \uadf8\ub9ac\uace0 \ubb38\ud654 \uc778\ub958\ud559\uc774\ub2e4. 2023\ub144\ubd80\ud130\ub294 \uc911\uc559\uc720\ub77c\uc2dc\uc544\uc5f0\uad6c\ud611\ud68c(CESS)\uc758 \uc774\uc0ac\ub97c \uc5ed\uc784\ud558\uace0 \uc788\ub2e4.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>\ucc38\uace0\ubb38\ud5cc<\/strong><\/p>\n<ul>\n<li style=\"text-align: justify;\">De Man, Alexander. 2023. \u201cReframing Diaspora Cinema: Towards a Theoretical Framework.\u201d <em>Alphaville: Journal of Film and Screen Media<\/em> 25, 24-39.<\/li>\n<li style=\"text-align: justify;\">Khan, Valeriy. 2007. \u201c\u041a\u043e\u0440\u0435\u0439\u0441\u043a\u0430\u044f \u0414\u0438\u0430\u0441\u043f\u043e\u0440\u0430 \u0421\u041d\u0413 \u0438 \u041a\u043e\u0440\u0435\u044f [Korean Diaspora of CIS and Korea].\u201d International Scientific Conference \u201c\ud55c\uad6d\uacfc \uc6b0\ud06c\ub77c\uc774\ub098 \uadf8\ub9ac\uace0 CIS \uad6d\uac00\uac04 \ubb38\ud654\uc758 \ub300\ud654.\u201d Kyiv. July.<\/li>\n<li style=\"text-align: justify;\">____________. 2011. \u201c\uc911\uc559\uc544\uc2dc\uc544 \uace0\ub824\uc778\uc758 \uc801\uc751 \ubc0f \uc0ac\ud68c\uc801 \uc9c0\uc704, \uadf8\ub9ac\uace0 \uc131\uacf5.\u201d \uc81c1\ucc28 \ub2e4\ubb38\ud654\uc640 \ub514\uc544\uc2a4\ud3ec\ub77c \uad6d\uc81c \uc800\uba85\ud559\uc790 \ucd08\uccad\uac15\uc5f0. \uacbd\ubd81\ub300\ud559\uad50. 2011\ub144 10\uc6d4<\/li>\n<li style=\"text-align: justify;\">Oh, Chong Jin. 2006. \u201cAh\u0131ska Turks and Koreans in Post-Soviet Kazakhstan and Uzbekistan: The Making of Diaspora Identity and Culture.\u201d Ph. D. Diss., Bilkent University.<\/li>\n<li style=\"text-align: justify;\">Prime, Rebecca. 2016. <em>Cinematic Homecomings: Exile and Return in Transnational Cinema<\/em>. London: Bloomsbury Publishing.<\/li>\n<li style=\"text-align: justify;\">Sim, Ji Eun. 2019. \u201cFilm Hanaan (2011): Korea and Uzbekistan Seen from a Margin.\u201d <em>Journal of Eurasian Studies<\/em> 10(1), 98-105.<\/li>\n<li style=\"text-align: justify;\">Soldavini, Irene. 2010. \u201cIdentity in Vietnamese Diasporic Cinema.\u201d Ph. D. Diss., SOAS University of London.<\/li>\n<li style=\"text-align: justify;\">Son, Hijoo. 2012. \u201cParadox of Diasporic Art from \u201cThere\u201d: Antidote to Master Narrative of the Nation?\u201d The Journal of Korean Studies 17(1), 153\u2013199.<\/li>\n<li style=\"text-align: justify;\">Tayturova, Elizaveta. 2023. \u201c\u041a\u043e\u0440\u0451-\u0441\u0430\u0440\u0430\u043c: \u043a\u043e\u0433\u0434\u0430 \u0438 \u043a\u0430\u043a \u043d\u0430 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u0430\u0445 \u0421\u0421\u0421\u0420 \u0441\u0444\u043e\u0440\u043c\u0438\u0440\u043e\u0432\u0430\u043b\u0430\u0441\u044c \u0431\u043e\u043b\u044c\u0448\u0430\u044f \u043a\u043e\u0440\u0435\u0439\u0441\u043a\u0430\u044f \u0434\u0438\u0430\u0441\u043f\u043e\u0440\u0430 [Koryo-saram: When and How the Large Korean Diaspora Was Formed in the USSR].\u201d <em>Vokrug Sveta<\/em>. https:\/\/www.vokrugsveta.ru\/articles\/koryo-saram-kogda-i-kak-na-prostorakh-sssr-sformirovalas-bolshaya-koreiskaya-diaspora-id872862\/ (Accessed 08. 09. 2024)<\/li>\n<li style=\"text-align: justify;\">Yoo, Jungmin. 2022. \u201cThe Lost Heritage of Koryoin: Citizen or Outcast?\u201d <em>Global Journal of Human-Social Science<\/em> 22(C5), 37\u201345.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Identity and Belonging in Films of Uzbekistani Koryo-saram<\/strong><\/p>\n<p><strong>Abstract. <\/strong>The Koryo-saram are diasporan Koreans from the former USSR who, due to various historical circumstances, relocated to the Russian Far East from the peninsula in the second half of the 19th century, followed by deportation to Central Asia under Stalin\u2019s order, and have since resided in the post-Soviet space. Their assimilation process took place in a heterogeneous and ethnically unfamiliar setting, resulting in a synthesis of Korean, Russian, Soviet, Central Asian, and European cultures, along with the transformation and partial loss of the original ethnic culture. The hybrid and multilayered identity of Koryo-saram has been reflected in a variety of artistic genres, including literature, songs, paintings, and many others. Yet, their experiences have been underrepresented in cinema, particularly within the context of the broader Korean diaspora.<\/p>\n<p>The Koryo-saram cinema represents a developing field and serves as a valuable source for investigating the culture of Uzbekistani Koreans; directors explicitly incorporate their own and others\u2019 historical and cultural experiences into the film text. In this instance, diasporic cinema places greater emphasis on cultural aspects rather than\u00a0\u2018nation,\u2019 while filmmakers reflect on what it means to be Koryo-saram in both a historical and contemporary context. In their works, directors exhibit a heterogeneous aesthetic and experience of living between two or more cultures as ethnic Koreans living in the multi-ethnic urban environment perceive themselves as part of many different cultures. In an attempt to introduce distinctive aspects of Uzbekistani Koreans\u2019 lifestyles during the Soviet era and present time, filmmakers rebuild real-life events, stressing the importance of capturing their authentic heritage since everything connected to the original Koryo-saram culture is at risk of disappearing.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Keywords: <\/strong>Uzbekistan, Koryo-saram, cinema, diaspora, identity<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><strong>Khan Olga<\/strong> (SNUAC)<\/p>\n<p>In the former USSR, the process of assimilation of Koreans took place in a heterogeneous and polyethnic environment. Constant contact with representatives of different nationalities and exposure to various cultures resulted in the adoption of flexible psychological attitudes towards multiethnic surroundings, as well as adaptable models of their behavior. Decades-long residency in an ethnically alien environment inevitably leads to the transformation or loss of many components of the initial ethnic culture, which remain preserved in a homogeneous Korean environment. As a result, the difference between Koreans residing on the peninsula and those in the former USSR happened to be significant enough to support the emergence of a distinct ethnic group known as \u201c<em>Koryo-saram<\/em>,\u201d along with other similar ethnic groups such as Koreans in China, Japan, the USA, and elsewhere. The major difference, however, lies in the fact that the culture of Koryo-saram is a synthesis of Korean, Russian, Soviet, Central Asian, and European cultures (Khan 2011). This multilayered\u00a0and complex identity\u00a0of Central Asian Koreans has been reflected\u00a0in various forms of art, including literature, songs, and paintings. Yet, the experiences of migrants belonging to minority communities have been rarely documented in films, particularly within the context of the broader Korean diaspora. In comparison to the number of documentaries and short videos produced by filmmakers, historians, and bloggers from South Korea, the USA, Canada, Russia, and Central Asia, there are relatively few features and short films since the cinema of Koryo-saram has historically fallen behind other creative forms in terms of time, quantity of creators, and works.<\/p>\n<p>The cinema of Koryo-saram can be seen as a new phenomenon, with the first Uzbekistani Korean filmmakers appearing only after 2010\u2014marked by the notable premier of <em>Hanaan<\/em> directed by Ruslan Pak\u2014and it took a further decade for other directors to produce new works. Unlike numerous documentaries focusing on the deportation topic, emerging directors explore and evoke deep reflections on \u201cwhat it means to be Koryo-saram\u201d in a contemporary setting. As diaspora filmmakers are often celebrated as \u201cagents of hybridity\u201d (De Man 2023), ethnic Koreans exhibit heterogeneous aesthetics and employ narrative strategies in their films to communicate their cultural belonging and distinctiveness; their geopolitical trajectory and social identity play a significant role in influencing the aesthetics and addressing issues related to questions of origins, movement, and relocation. When it comes to cinema\u2019s efficiency in delivering complex identities, displaying traditions, language, and heritage, diasporic artists are \u201cespecially able to captivate and fascinate the viewing audience by articulating the complicated ideas and dif\ufb01cult-to-describe conditions of living in diaspora\u201d (Son 2012).<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Hanaan <\/em><\/strong><strong>(2011) by Ruslan Pak <\/strong><\/p>\n<p>Ruslan Pak, the descendant of the 4th generation of Koryo-saram, made his debut at international film festivals with a feature project <em>Hanaan<\/em>, which raised the subject of self-identity by introducing viewers to Uzbekistani Koreans, a lesser-known ethnic group. The plot revolves around Stas (played by Stanislav Tyan), an ethnic Korean who was born in Uzbekistan during the Soviet era, and delves into his psychological struggle and relentless pursuit of \u201cthe ideal\u201d while coping with a pervasive sense of loss. The film genre can be classified as \u2018neochernukha\u2019 due to the permeating sense of hopelessness and aimlessness that is emblematic of the 1990s; post-Soviet Tashkent is represented by filthy apartments and run-down villas, where four friends\u2014Stas, Shin, Kosoy (all ethnic Koreans) and Said (who looks like Caucasian)\u2014spend their time by trying drugs and entangling in gang rivalries. All of them attempt to escape from their dismal existence: Shin goes to Korea, while Stas and the rest of the friends seek solace by resorting to drug use. However, once young men start experimenting with drugs, they embark on a trajectory that inevitably leads to the complete loss of everything they value, including their own lives.<\/p>\n<p><em>Hanaan<\/em>, like other films made by immigrants, explores the theme of identity \u2013 a major concept in diasporic films tied to the arduous quest for a sense of belonging that arises from dislocation and complicated feelings towards the notion of \u201chistorical motherland.\u201d Shin, who earlier relocated to Korea, advises Stas to explore the possibility of a better life there, however, Stas\u2019s reaction is ambiguous. \u201cWhat does Korea have that we don\u2019t have here?\u201d asks Stas. \u201cSea,\u201d answers Shin. Both Shin\u2019s and Stas\u2019s skepticism stems from the fact that the intensity of attachment between diaspora individuals and their homelands varies and depends upon their temporal and spatial proximity (Oh 2006), however, young men do not express a strong connection to their ancestral motherland due to historical unfoldings [1].<em> Hanaan <\/em>suggests that not every immigrant holds great hope for their ancestral countries, since the \u201cidea of centering on the ideal homeland marginalizes the importance of relationships and linkages formed by the diasporic conditions\u201d (Soldavini 2010). Moreover, by showing how multiculturalism is deeply embedded into Stas and his companions\u2019 daily routine and transmitted through elements like bilingualism, multi-national connections, and mixed cuisine, the film undermines diasporic \u201calleged essence or purity\u201d (De Man, 2023).<\/p>\n<p>Eventually, Stas goes to South Korea, only to discover that his friend\u2019s prosperity is linked to drug dealing. <em>Hanaan <\/em>concludes with an open ending \u2013 in closing sequences, Stas is sitting alone by the sea, which represents the Promised Land; his further fate is unknown.<em> Hanaan<\/em>\u2019s uncertain finale addresses the gap between the \u201cunspoken\u201d nostalgia for the mythical homeland and the reality of return, implying that ethnic Koreans who migrate to Korea, often find themselves continuing to \u201cwander\u201d even in their ancestral home, realizing the fact that this country cannot be their final destination (Sim 2019). The last minutes of the film make it clear that \u2018Hanaan\u2019 is not a forgotten homeland, and the \u201chome\u201d the hero longs for is inevitably located neither in the homeland nor the host country, but in the ongoing journey to some elusive \u201celsewhere\u201d (Prime 2016).<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>When Poppies Bloom<\/em><\/strong><strong> (2019) by Rita Pak<\/strong><\/p>\n<p>It is imperative to acknowledge that Koryo-saram cinema has not yet reached its highest point, representing a developing field where filmmakers are experimenting with self-expression within the framework of visual culture. However, analysis of diasporic art, including films, \u201cbrings together the voices of overseas Koreans on multiple levels in reading art, incorporating both the unevenness of \u201chigh\u201d and \u201clow\u201d art practices\u201d (Son 2012). Although Rita Pak\u2019s <em>When Poppies Bloom<\/em> might not be considered a highly artistic work, it provides a valuable source for exploring Koryo-saram\u2019s identity by delving into the lives and mindset of Koreans residing in Uzbekistan. It tells a story of success, picturing Roma (played by Vadim Kim and Vladimir Yugay)\u2014a boy abandoned by his parents and raised by his grandparents on a Korean collective farm\u2014who grows into a successful public employee. The entire film covers the life of a hero, starting from his early years and continuing into maturity as he navigates through various challenges and personal hardships.<\/p>\n<p>&nbsp;<\/p>\n<p>Contemporary discourse designates kolkhozes as a unique phenomenon known as \u201cKorean collective farm\u201d and \u201cspace of memories.\u201d The majority of the story takes place in kolkhoz, illuminating distinctive aspects of Uzbekistani Koreans\u2019 living conditions during the Soviet era and featuring authentic elements such as Korean threshing machine (pai) and other attributes intrinsic to the bygone era. Nostalgia played a significant role in recreating the past \u2013 the director meticulously reanimates an in-depth portrayal of Koryo-saram\u2019s life (<em>byt<\/em>), based on the experiences of an older generation, by staging anniversaries, Hwatu games, rice cake making, hangaby celebration, and other activities that recreate photographic verisimilitude and carry a nostalgic appeal. Within the context of the Soviet \u201cmerging of nationalities\u201d policy, leading to ethnic Koreans\u2019 downplay of their distinctive culture and identity, the film portrays Roma\u2019s steady growth as both an individual and a member of the Korean community in a foreign cultural setting. <em>When Poppies Bloom<\/em> chronicles Roma\u2019s life from childhood, encompassing his pioneering years, schooldays, service in the Navy, and work at the factory, proving that \u201cKorean diasporas developed a modus vivendi of adaptation to the harsh circumstances of life in exile and consequent integration into a Russian\/Russified society in a relatively short period of time\u201d (Oh 2006). In this case, diasporic cinema focuses more on \u2018cultural\u2019 aspects rather than \u2018nation,\u2019 providing an extensive understanding of the historical and contemporary experiences of being a Koryo-saram. When Roma gets older, he is shown working at the factory within the urban scenery, while his grandparents are still residing in kolkhoz; this way the film illustrates the simultaneous coexistence of two Soviet Korean lifestyles \u2013 that of those who remained on Korean collective farms and that of those who moved to the city once the restriction on leaving the deportation area was lifted. Roma\u2019s attire and haircuts also embody the essence of a certain decade, incorporating elements of Soviet fashion and lifestyle that differ from his initial ethnic heritage, but at the same time, his adherence to Korean traditions\u2014through performing traditional bows at the cemetery or consuming Korean food\u2014indicate his cultural linkage to the ancestral home.<\/p>\n<p>&nbsp;<\/p>\n<p>The authors of <em>When Poppies Bloom<\/em> re-imagine the conception of identity by filming certain episodes entirely in Koryo-mal [2] \u2013 a language consistently spoken by older generations of ethnic Koreans, despite their proficiency in Russian. Larisa Ligay, who portrayed Roma\u2019s grandmother, noted that during the 1970s, Koryo-saram experienced feelings of shame owing to their connection to collective farms and ability to speak Koryo-mal. On the contrary, <em>When Poppies Bloom<\/em> through the reenactment of several scenes in Koryo-mal\u2014previously marginalized but currently being preserved\u2014aimed to achieve a more authentic effect. In light of this, the shifting dynamic of Koryo-saram\u2019s self-perception is interesting, as throughout the Perestroika period Soviet Koreans developed a strong sense of Korean identity and displayed a keen interest in embracing original Korean culture. However with time, they began to evaluate identity and belonging issues more critically; the feeling of inferiority that ethnic Koreans experienced in the 1970s and 1990s has since evolved into a sense of pride, while their \u201cotherness\u201d allowed Koryo-saram to identify themselves as a non-mononational group and part of the world\u2019s global cultural tradition (Khan 2007).<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>The Choir<\/em><\/strong><strong> (2019) and <em>Pebbles<\/em> (2023) by Larisa Ligay <\/strong><\/p>\n<p><em>The Choir<\/em> was produced within the international laboratory of the documentary film \u201cEuropean Union Focus Cine Lab\u201d and explores the theme of a \u201cdisappearing world.\u201d According to director Larisa Ligay, \u201cBoth, <em>The Choir<\/em> and <em>Pebbles<\/em>, are focusing on the elderly generation of Koryo-saram. It is a particular group of individuals who once resided in collective farms and spoke koryo-mal, and to me, they represent the so-called disappearing world.\u201d<\/p>\n<p><em>The Choir <\/em>seamlessly blends Korean, Russian, and Uzbek ethnic components, reflecting the diverse cultural identities of Koreans residing in a multi-ethnic setting. Ligay meditates on the experience of living between two or more cultures\u00a0by documenting the choir members rehearsing Soviet songs or participating in a jovial feast featuring Russian and Uzbek meals, all the way conversing in both Russian and Koryo-mal. But following the rehearsal and feast sequences\u2014filled with attributes of Uzbek and Russian cultures\u2014the camera cuts to an image of women changing from their everyday clothes into traditional Korean hanboks, getting ready to take the stage. Choristers\u2019 pre-performance preparations are accompanied by the soft humming of the Korean song that engulfs the space with a palpable \u2018collective cultural memory.\u2019 The documentary ends with close-ups of choir members and video footage of singing ensembles from different regions performing \u201cArirang\u201d on a grand stage. Contrary to widespread opinion, \u201cArirang\u201d in <em>The Choir<\/em> does not epitomize longing for an ancestral country but rather reflects the decline of the original Koryo-saram culture and its final remaining members.<\/p>\n<p>&nbsp;<\/p>\n<p>Ligay expands upon the motif of the disappearing generation in her next work <em>Pebbles<\/em>. The plot delves into the slow tempo of an old man\u2019s life (played by Vyacheslav Kim), who lives in kolkhoz and fancies a woman from a local Korean choir. Upon the unexpected death of the woman, the film not only depicts the unfortunate turn\u00a0of events but introduces the funerary culture of Uzbekistani Koreans that has evolved over time as a fusion of different practices. In this instance, the Russian funeral orchestra, mourners wailing and bowing before the memorial table in the cemetery, and the ceremonial usage of white headscarves serve as visible signs of ethnic Koreans\u2019 mixed identity. Through setting up cultural arrangements of Koryo-saram within the Uzbek landscape, Ligay not only builds a space of reminiscence and connection with ancestral land but also exhibits diasporic communities\u2019 shared sense of identification with the country of their ethnic origin and the country they live in. After performing ritual bows, the protagonist picks a pebble from the grave and places it in a box, alongside other similar pebbles, as a tribute to the deceased people he used to know. At the end of the film, the director provides textual information on the historical background of Koryo-saram on-screen:<\/p>\n<p>\u201cIn 1937, about 75,000 Koreans were forcibly deported from the southern regions of the Far East to Uzbekistan. The resettled Korean people had the status of administratively expelled. They were limited in their rights and could not move outside of Central Asia. They were placed on the virgin lands of the Tashkent region, the hunger steppe in the lower reaches of the Amu Darya and on the shores of the Aral Sea. Settlers joined 222 collective farms, and additional 50 Korean collective farms were created. The rehabilitation of Koreans took place in 1953-1957 when all restrictions on rights were lifted. Today, about 200, 000 Koreans live in Uzbekistan. Each of them considers Uzbekistan their homeland.\u201d<\/p>\n<p>Thus, Ligay communicates her central premise regarding Uzbekistani Koreans as a distinct and unique group \u2013 although multiple sociological theories (primordialism, assimilation, integration, etc.) can be applied to Koryo-saram, they do not entirely fall into any of them. As specified by V. Khan, \u201cKoreans of the CIS have lost much of the culture of their forbears. But, on the other hand, they have created their own unique culture, the Eurasian Korean culture\u201d (Khan 2007).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Conclusion<\/strong><\/p>\n<p>\u2018Diaspora\u2019 has become a prominent conceptual framework for generating understanding and knowledge concerning nationhood, migration, and displacement. Diaspora studies, as well as diasporic cinema, closely link the idea of homeland and identity issues. However, in recent times references to the myth of the homeland have been reduced in number. Certain minority communities, like Koryo-saram, fail to meet the strict criteria of the diaspora\u2014particularly those centered around the concept of an ideal homeland\u2014since diasporic identities are formed out of the experiences of displacement, settlement, and building a new \u201chome\u201d in their host country rather than having a fixation with their homeland (Soldavini 2010). Despite facing difficulties, Koryo-saram succeeded in integrating into Soviet society, placing a high value on their identity as Soviet citizens. In this case, diasporic cinema plays an important role in portraying the complexity of identity transformation, conveying the sense of (un)belonging, and increasing awareness about ethnic minorities. The idea of an ancestral homeland\/historical motherland has the power to evoke memories and intense emotions, however, Uzbekistani Korean directors through the depiction of hybrid identities challenge the very nature of diasporic cinema tied to a sense of longing toward an idealized homeland.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Author Introduction<\/strong><\/p>\n<p><strong>Olga Khan (helgafrey@naver.com) <\/strong>is<br \/>\na visiting fellow at Seoul National University Asia Center. She obtained a PhD in Film Studies at Chung-Ang University. Her main research focus is modern Uzbek cinema, female images, and cultural anthropology. Since 2023, she has served as CESS (Central Eurasian Studies Society) board member.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Notes<\/strong><\/p>\n<p>[1] Until 1953, Koreans were prohibited from traveling outside the deportation regions, but the exemptions in the 1950s provided Koreans with the chance to relocate from the countryside to urban areas in pursuit of education and alternative professional development opportunities. Although some managed to return to the Far East, Soviet Koreans lost their connection with their land of origin \u2013 the deportation had a profound impact on their culture and way of life (Tayturova, 2023).<\/p>\n<p>[2] Koryo-mal stems from the pre-altered language spoken during Joseon-era Korea \u2013 when Korea was united (Yoo 2022).<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ednref1\" name=\"_edn1\">[i]<\/a> 1953\ub144\uae4c\uc9c0 \uace0\ub824\uc778\ub4e4\uc740 \uac15\uc81c\uc774\uc8fc\uc9c0 \ubc16\uc73c\ub85c \ub098\uac08 \uc218 \uc5c6\uc5c8\ub2e4. 1950\ub144\ub300 \uae08\uc9c0\uac00 \ud574\uc81c\ub41c \uc774\ud6c4 \uace0\ub824\uc778\ub4e4\uc740 \uad50\uc721\uc774\ub098 \ub2e4\ub978 \uc804\ubb38\uc801 \uae30\uc220\uc744 \ubc30\uc6b8 \uae30\ud68c\ub97c \uc5bb\uae30 \uc704\ud574 \ub18d\ucd0c\uc5d0\uc11c \ub3c4\uc2dc\ub85c \uc774\uc8fc\ud588\ub2e4. \uc77c\ubd80 \uace0\ub824\uc778\uc740 \ub3cc\uc544\uac08 \uc218 \uc788\uc5c8\uc9c0\ub9cc \ub300\ubd80\ubd84\uc740 \ud55c\uad6d\uacfc \uad00\uacc4\uac00 \ub2e8\uc808\ub418\uc5c8\ub2e4. \uac15\uc81c\uc774\uc8fc\ub294 \uace0\ub824\uc778\uc758 \ubb38\ud654\uc640 \uc0dd\ud65c \ubc29\uc2dd\uc5d0 \ud070 \ucda9\uaca9\uc744 \ub0a8\uacbc\ub2e4(Tayturova, 2023).<\/p>\n<p><a href=\"#_ednref2\" name=\"_edn2\">[ii]<\/a> \uace0\ub824\ub9d0\uc740 \ud55c\ubc18\ub3c4\uac00 \ubd84\ub2e8\ub418\uc5b4 \uc5b8\uc5b4\uac00 \ub2ec\ub77c\uc9c0\uae30 \uc804 \uc870\uc120\uc2dc\ub300\uc5d0 \uc4f0\uc774\ub358 \ud55c\uad6d\uc5b4\uc5d0\uc11c \uac08\ub77c\uc838 \ub098\uc628 \uc5b8\uc5b4\ub2e4.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\uace0\ub824\uc778\uc740 \uc18c\ub828 \uc2dc\uae30\uc758 \ud55c\uc778 \ub514\uc544\uc2a4\ud3ec\ub77c\ub85c, \uc5ec\ub7ec \uc5ed\uc0ac\uc801 \uc774\uc720\ub85c \uc778\ud574 19\uc138\uae30 \ud55c\ubc18\ub3c4\uc5d0\uc11c \ub7ec\uc2dc\uc544 \uadf9\ub3d9\uc73c\ub85c \uc774\uc8fc\ud55c \ub4a4 \uc2a4\ud0c8\ub9b0\uc5d0 \uc758\ud574 \uc911\uc559\uc544\uc2dc\uc544\ub85c \uac15\uc81c\ub85c \uc774\uc8fc\ub418\uc5b4 \uc9c0\uae08\uae4c\uc9c0 \uc911\uc559\uc544\uc2dc\uc544\uc5d0 \uac70\uc8fc\ud558\uace0 \uc788\ub2e4. \uc774\uc9c8\uc801\uc774\uace0 \ubbfc\uc871\uc801\uc73c\ub85c \ub0af\uc120 \ud658\uacbd\uc5d0 \ub3d9\ud654\ub418\ub294 \uacfc\uc815\uc5d0\uc11c \ud55c\uad6d, \ub7ec\uc2dc\uc544, \uc18c\ub828, \uc911\uc559\uc544\uc2dc\uc544, \uc720\ub7fd \ubb38\ud654\uac00 \ud63c\ud569\ub41c \ub3d9\uc2dc\uc5d0 \ubcf8\ub798\uc758 \ud55c\ubbfc\uc871 \uc815\uccb4\uc131\uc774 \ubcc0\ud615\ub418\uace0 \ubd80\ubd84\uc801\uc73c\ub85c \uc0c1\uc2e4\ub418\uc5c8\ub2e4. <\/p>\n","protected":false},"author":1,"featured_media":7489,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[477],"tags":[254,988,277,121,249],"class_list":["post-7488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-477","tag-254","tag-988","tag-277","tag-121","tag-249"],"acf":[],"_links":{"self":[{"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/posts\/7488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7488"}],"version-history":[{"count":2,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/posts\/7488\/revisions"}],"predecessor-version":[{"id":7557,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/posts\/7488\/revisions\/7557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=\/wp\/v2\/media\/7489"}],"wp:attachment":[{"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diverseasia.snu.ac.kr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}